Dissenting the master narrative.
By Maya Love.
Alice Procter guides Uncomfortable Art Tours through British museums as an act of dissent. She begins by describing an object, how it is displayed and how it might have arrived in a museum. Using visual analysis as a point of entry, she opens the door to discuss the museum as a colonial institute…
Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised
By Tamar Torrance McCambridge
‘Immersion’ is a term with equivocal meaning—a homonym, used often to describe qualities of illusion, interaction, involvement, absorption, and so on. However, while certainly manifold in its characterisations, consistently, the conceptualisation of immersion—as both a process and state of being—involves the dissolution, or transgression of conventional boundaries which separate oneself from the external world.
The Creative Potential Of The Subconscious: The Conceptual Framework Of Surrealism
By Emily James.
Against the chaos and destruction of warfare in the 20th century, a new artistic movement based on the amalgamation of dream and reality flourished. Salvador Dali and Meret Oppenheim were among the pioneering artists who established the main surrealist concepts…
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