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A Patchwork Approach: the Repatriation of Kōiwi Tangata in Aotearoa New Zealand
Essays UOA Art History Society Essays UOA Art History Society

A Patchwork Approach: the Repatriation of Kōiwi Tangata in Aotearoa New Zealand

By Emily James. The repatriation of human remains to indigenous communities marks an important step in the ongoing process of decolonisation. Repatriation recognises the rights of indigenous people to their cultural heritage and is an opportunity for institutions holding remains to re-evaluate the purpose of their collections…

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The Power of Abstraction: The Photography of Sonya Noskowiak
Essays UOA Art History Society Essays UOA Art History Society

The Power of Abstraction: The Photography of Sonya Noskowiak

By Alanna O’Riley. Sonya Noskowiak (1900-1975) was an American photographer and member of Group f.64, a collective of Californian photographers during the 1930s. Named after the smallest aperture on a camera, Group f.64 was united by a contempt for the dominant pictorialist aesthetic, instead embracing the values of ‘straight photography.’ …

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Pushpamala: A Performative Deconstruction of the Typography of Indigenous Women Through a Postcolonial Lens
Essays UOA Art History Society Essays UOA Art History Society

Pushpamala: A Performative Deconstruction of the Typography of Indigenous Women Through a Postcolonial Lens

By Katja Neef.

Photography has always been a method to record important moments in time while providing accuracy by capturing the subject, its setting, and the surrounding environment. Yet, seen through a postcolonial lens, photography specifically employed by ethnographers and anthropologists in the 1900s was instrumentalised to create the subordinate 'other' by fixating on differences by removing context…

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