https://arthistorysociety.org/essays daily 0.75 2022-05-10 https://arthistorysociety.org/essays/a-patchwork-approach-repatriation-aotearoa-new-zealand monthly 0.5 2020-08-12 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597202881209-IC8XGDEQCY9QYMDUK0OI/tepap.jpg Essays - A Patchwork Approach: the Repatriation of Kōiwi Tangata in Aotearoa New Zealand Image 1: Unknown, Museum of New Zealand Te Papa Tongarewa, photograph, Museum of New Zealand Te Papa Tongarewa, Wellington, 24 May 2020, https://www.tepapa.govt.nz/about/our-building. https://arthistorysociety.org/essays/-power-abstraction-photography-sonya-noskowiak monthly 0.5 2020-08-12 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597218079330-37C6YQ9W2E53WMOZUXK7/Screen+Shot+2020-08-12+at+19.41.05.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 14: Sonya Noskowiak, Zohmah Charlot, c. 1933. Gelatin silver print, 24.2 x 19 cm. Charlot Collection, University of Hawaii. Retrieved from https://guides.library.manoa.hawaii.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217132895-AOBYDU5DORCWT6HN7L2V/Screen+Shot+2020-08-12+at+19.25.20.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 5: Sonya Noskowiak, Untitled (Calla Lily), 1930. Gelatin silver print, 17.5 x 23.6 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217352840-NWGUO7QDM6VZO8SBVRE2/Screen+Shot+2020-08-12+at+19.28.56.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 8: Sonya Noskowiak, Cypress Detail – Point Lobos, 1933. Gelatin silver print, 10.1 x 7.5 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597216775126-B081HMK4YTH67I0FS6YQ/Screen+Shot+2020-08-12+at+19.18.49.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 1: Edward Weston, Pepper No. 30, 1930. Gelatin silver print, 24.1 x 19.2 cm. San Francisco Museum of Modern Art, California. Retrieved from https://www.sfmoma.org/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217477281-0LWQ4NJOQBB03TE1EFZS/Screen+Shot+2020-08-12+at+19.31.02.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 9: Sonya Noskowiak, Sand Patterns, 1932. Gelatin silver print, 22 x 16.8 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217078805-ZOTZSU1P8FBR4O553QLV/Screen+Shot+2020-08-12+at+19.24.25.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 4: Imogen Cunningham, Two Callas, 1929. Gelatin silver print, 30.4 x 24.1 cm. MOMA, New York. Retrieved from https://www.moma.org/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597218329384-RUBVMRYRXHQ0F73UDUA7/Screen+Shot+2020-08-12+at+19.45.16.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 17: Sonya Noskowiak, Maudelle Bass, 1939. Gelatin silver print, 23.5 x 19.1 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597218170982-P98COIQHNSFENJZTVKBM/Screen+Shot+2020-08-12+at+19.42.30.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 15: Consuelo Kanaga, Frances with a Flower, c. 1932. Gelatin silver print, 27 x 20.3 cm. Brooklyn Museum, New York. Retrieved from https://www.brooklynmuseum.org/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217294029-Q8AL81TJEVCKLR9CU52C/Screen+Shot+2020-08-12+at+19.28.01.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 7: Edward Weston, Uprooted Cypress, Point Lobos, 1934. Gelatin silver print, 18.9 x 24.1 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597218228264-V5KDWSFVVBAW2NMHSLXZ/Screen+Shot+2020-08-12+at+19.43.33.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 16: Consuelo Kanaga, Annie Mae Merriweather, 1936. Gelatin silver print, 20 x 15.1cm. International Center of Photography, New York. Retrieved from https://www.icp.org/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217790320-Q49CTQC1THXW0ARJUZEN/Screen+Shot+2020-08-12+at+19.36.12.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 10: Sonya Noskowiak, Untitled (Lumberyard), 1930s. Gelatin silver print, 11.5 x 16.6 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597218034053-26YPC6VUQKIKUVNXHJG2/Screen+Shot+2020-08-12+at+19.40.13.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 13: Sonya Noskowiak, Zohmah Charlot, c. 1933. Gelatin silver print, 24.2 x 19 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597218391379-C5REP3459K1F3SU6N3L3/Screen+Shot+2020-08-12+at+19.46.15.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 18: Sonya Noskowiak, Maudelle Bass, 1939. Gelatin silver print, 28.7 x 19.3 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217936436-KK9PL2KMVX2P167NIT4G/Screen+Shot+2020-08-12+at+19.38.40.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 12: Ansel Adams, Valley View, Summer, Yosemite National Park, c. 1935. Gelatin silver print, 17.7 x 23.3 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597216862520-GE4B8WPIH5MB2KHR13EP/Screen+Shot+2020-08-12+at+19.20.33.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 2: Sonya Noskowiak, White Radish, 1932. Gelatin silver print, 10 x 7.5 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217203427-3G1L8BM0WWJ3L1TC1FTV/Screen+Shot+2020-08-12+at+19.26.26.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 6: Sonya Noskowiak, Calla Lily, 1930. Gelatin silver print, 17.7 x 23.2 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597216913562-LZ389ALV1UZSRZS5NQFI/Screen+Shot+2020-08-12+at+19.20.45.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 3: Edward Weston, White Radish, 1933. Gelatin silver print, 24.5 x 18.6 cm. Private Collection. Retrieved from http://www.sothebys.com/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597217863557-GNKPGLL3YGBE8BVVSFD9/Screen+Shot+2020-08-12+at+19.37.26.png Essays - The Power of Abstraction: The Photography of Sonya Noskowiak Figure 11: Sonya Noskowiak, Untitled, 1931. Gelatin silver print, 17.8 x 23 cm. Centre for Creative Photography, Arizona. Retrieved from http://ccp-emuseum.catnet.arizona.edu/. https://arthistorysociety.org/essays/pushpamala-a-performative-deconstruction-of-the-typography-of-indigenous-women-through-a-postcolonial-lens monthly 0.5 2020-08-17 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1594868711656-6L040NJBV91YPDQ9L186/Screen+Shot+2020-07-16+at+15.04.25.png Essays - Pushpamala: A Performative Deconstruction of the Typography of Indigenous Women Through a Postcolonial Lens Figure 1: Maurice Vidal Portman, Ta-keda Woman, Andaman Islands, 1890s, Platinum print, The British Library. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1594868955687-YCQKQ4K4SLN879SDTQZS/Screen+Shot+2020-07-16+at+15.08.34.png Essays - Pushpamala: A Performative Deconstruction of the Typography of Indigenous Women Through a Postcolonial Lens Figure 3: Pushpamala N. Toda, From the Ethnographic Series Native Women of South India: Manners & Customs, 2000-2004. Sepia toned silver gelatin prints on fibre paper. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1594868774415-W8C8MAUNCSN930FVHG5Z/Screen+Shot+2020-07-16+at+15.05.54.png Essays - Pushpamala: A Performative Deconstruction of the Typography of Indigenous Women Through a Postcolonial Lens Figure 2: Pushpamala N., ‘Toda (after late 19th century British anthropometric photograph)’. From the Ethnographic series Native Women of South India: Manners and Customs, 2000-2004. Sepia toned silver gelatin prints on fiber paper, 61 x 51 cm https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1594869062977-PB569W65W9V7RGQMW7KJ/Screen+Shot+2020-07-16+at+15.10.39.png Essays - Pushpamala: A Performative Deconstruction of the Typography of Indigenous Women Through a Postcolonial Lens Figure 4: Pushpamala N. Toda, From the Ethnographic Series Native Women of South India: Manners & Customs, 2000-2004. Sepia toned silver gelatin prints on fiber paper. https://arthistorysociety.org/essays/dissenting-the-master-narrative monthly 0.5 2020-07-02 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593675982746-V7S3PABGCN4EJV8JZYN7/Screen+Shot+2020-07-02+at+19.37.11.png Essays - Dissenting the master narrative. Figure 1: The Met. Installation Tour of Art of Native America 1/9: Introduction. 2018. From YouTube, The Metropolitan Museum of Art. Video, 1:09. Posted October 17, 2018. https://www.youtube.com/watch?v=F8bS0zRYTRY. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676460738-C17UQ0DLA79NCDY1AA22/Screen%2BShot%2B2020-07-02%2Bat%2B19.52.03.jpg Essays - Dissenting the master narrative. Figure 5: The Met. Installation Tour of Art of Native America 9/9: Shaman’s Rattle. 2018. From Youtube, The Metropolitan Museum of Art. Video still, 2:04. Posted October 30, 2018. https://www.youtube.com/watch?v=z3UPdpxhHTM&t=44s. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676767535-SLGD7NWECK616HOTJX6T/Screen+Shot+2020-07-02+at+19.59.17.png Essays - Dissenting the master narrative. Figure 8: Unknown (Chugach). Mask, 1860, (wood, vegetable fibre and pigment, 41.9 x 21.6 x 11.4 cm), loan from Charles and Valerie Diker Collection, L.2018.35.65. Image from: The Metropolitan Museum of Art. “Mask.” Accessed May 23, 2019. https://www.metmuseum.org/art/collection/search/717573?&exhibitionId=%7b4e31b48b-86414ecf-a668-093cba7cfaf2%7d&oid=717573&pkgids=518&pg=0&rpp=20&pos=47&ft=*&offset=20. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676276422-APO8BJGZFGCWTZ2OM0XJ/Screen+Shot+2020-07-02+at+19.50.59.png Essays - Dissenting the master narrative. Figure 4: Unknown (Tsimshian). Shaman’s rattle, ca. 1750-80, (birch, bone, human hair, pigment, and metal pins, 35.6 x 22.9 x 11.4 cm), loan from Charles and Valerie Diker Collection, L.2018.35.59. Image from: The Metropolitan Museum of Art. “Shaman’s rattle.” Accessed May 23, 2019. https://www.metmuseum.org/art/collection/search/717586?&exhibitionId=%7b4e31b48b-86414ecf-a668-093cba7cfaf2%7d&oid=717586&pkgids=518&pg=0&rpp=20&pos=20&ft=*&offset=20. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676566751-TAWIK0K3V594UPOKPEV3/Screen+Shot+2020-07-02+at+19.55.56.png Essays - Dissenting the master narrative. Figure 6: Attributed to Saayina aat (Tlingit). Dagger, ca. 1780, (iron, native-tanned leather, wool cloth, vegetal fibre, and human hair, 47 x 10.8 x 2.5 cm), promised gift from Charles and Valerie Diker Collection, L.2018.35.58. Image from: The Metropolitan Museum of Art. “Dagger.” Accessed May 23, 2019. https://www.metmuseum.org/art/collection/search/717584?&exhibitionId=%7b4e31b48b-86414ecf-a668-093cba7cfaf2%7d&oid=717584&pkgids=518&pg=0&rpp=20&pos=19&ft=*&offset=20. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676700820-1QV6VSAZQ4DHSS79GLBN/Screen%2BShot%2B2020-07-02%2Bat%2B19.56.46.jpg Essays - Dissenting the master narrative. Figure 7: The Met. Art of Native Ameirca: The Charles and Valerie Diker Collection Exhibition Gallery Views. 2018. From YouTube, The Metropolitan Museum of Art. Video still, 3:20. Posted October 10, 2018. https://www.youtube.com/watch?v=by3NxI0dA6w. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676042723-A5QASMPPAMQO5KONLQW3/Screen+Shot+2020-07-02+at+19.38.59.png Essays - Dissenting the master narrative. Figure 2: Unknown (Anishinaabe, possibly Mississauga Ojibwa). Shoulder bag, ca. 1800, (nativetanned leather, porcupine quills, dye, glass beads, silk ribbon, metal cones, and deer hair, 30.5 x 22.9 cm), promised gift from Charles and Valerie Diker Collection, L.2018.35.6. Image from: The Metropolitan Museum of Art. “Shoulder bag (missing strap).” Accessed May 23, 2019. https://www.metmuseum.org/art/collection/search/751507?&exhibitionId=%7b4e31b48b-86414ecf-a668-093cba7cfaf2%7d&oid=751507&pkgids=518&pg=0&rpp=20&pos=3&ft=*&offset=20. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1593676888877-03BFHHGR6SG3GWCPBGK2/Screen%2BShot%2B2020-07-02%2Bat%2B19.48.47.jpg Essays - Dissenting the master narrative. Figure 3: The Met. Installation Tour of Art of Native America 7/9: Shoulder Bag. 2018. From YouTube, The Metropolitan Museum of Art. Video still, 2:59. Posted October 17, 2018. https://www.youtube.com/watch?v=3i_yRMYk6co. https://arthistorysociety.org/essays/material-spatial-immersion-embodiment-intensified-dissolved-transcended-problematised monthly 0.5 2020-05-16 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589442470303-UBMFI0Z7IGY0I5T93KM7/arm1.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Din blinde passager, 2010, Tate Modern, London. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589441732083-YDQRPOAYO969XST6WT1R/embori.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Teresa Margolles embroidering fabrics stained in blood collected from narco-execution sites at the border between Mexico & the U.S. with golden threads. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589442187943-PJG7IV4XVSNSNKVVGQ8Z/vap1.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Teresa Margolles, Vaporizacion, ACE Gallery, Mexico City, 2001. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589440536698-N64XH1C2X9SV46AOSC1T/mosswall1.jpg Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Moss Wall, 1994, Museum of Contemporary Art, Chicago, 2009. Photograph by Nathan Keay/ Courtesy of Museum of Contemporary Art Chicago. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589442510517-Z92LVRIS3DRVEZD7IX57/arm2.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Din blinde passager, 2010, Tate Modern, London. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589442337824-XUTMRQRQ7X350TGE3PB2/vap2.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Teresa Margolles, Vaporizacion, ACE Gallery, Mexico City, 2001. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589441452305-COSS0B64OBXIRRBU9VCX/narco.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Teresa Margolles, Narcomensajes (Narco-Messages), from the 2009 Venice Biennale exhibition ¿De qué otra cosa podríamos hablar? (What Else Could We Talk About?). https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589441534011-24JMXOY2678H8VJQFRSQ/moss3.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Moss Wall, 1994, Tate Modern, London. Photograph by Simon Ingram/ National Geographic. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589442128736-IWBR35OY0AUH7I2C900Z/din1.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Din blinde passager, 2010, ARKEN Museum of Modern Art, Copenhagen, 2010. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589441674940-RW8SYIEFKL16C09IFXV5/narco2.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Teresa Margolles, Narcomensajes (Narco-Messages), What Else Could We Talk About? https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589442274542-MGNMIHPB31HXDY6C3SQ1/blinde.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Din blinde passage, 2010, Tate Modern, London. Photograph by Anders Sune Berg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1589441866184-0JSGNRSEVKQIEV7OHC5T/mosmos.png Essays - Material and Spatial Immersion: Embodiment Intensified, Dissolved, Transcended and Problematised Olafur Eliasson, Moss Wall, 1994, Neue Galerie am Landesmuseum Joanneum, Graz, 2000. Photograph by Koinegg. https://arthistorysociety.org/essays/the-creative-potential-of-the-subconscious-the-conceptual-framework-of-surrealism monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588661819184-G1DISU3O3BVZBB35BXLO/great.png Essays - The Creative Potential Of The Subconscious: The Conceptual Framework Of Surrealism Figure Three. Salvador Dali, Great Masturbator, 1929 (oil on canvas), Museo Nacional Centro de Arte Reina Sofia, Madrid. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588661891858-T0G1GUEXKQ5G705JMIBF/steinfrau.png Essays - The Creative Potential Of The Subconscious: The Conceptual Framework Of Surrealism Figure Four. Meret Oppenheim, Steinfrau, 1938 (oil on cardboard), Private Collection. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588661745715-VQ1GG1ZNAWKHD6OZ7H8E/gloves.png Essays - The Creative Potential Of The Subconscious: The Conceptual Framework Of Surrealism Figure Two. Meret Oppenheim, Pelzhandschuhe, 1936 (mixed media), Ursula Hauser Collection, Switzerland. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588661654611-52O9IESF2EYOOSZFJOQQ/lobster.png Essays - The Creative Potential Of The Subconscious: The Conceptual Framework Of Surrealism Figure One. Salvador Dali, Lobster Telephone, 1938 (painted plaster, metal, and bakelite found object – telephone), Tate, London. https://arthistorysociety.org/essays/abstraction-occult monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588658105533-MA2H8X2J57TW2L8BXXBK/Emelie-1-768x1015.png Essays - A Retrospective View Of Abstraction, With A Spice Of The Occult Figure 1. Hilma af Klint, No. 3 Altarpiece, 1915 (oil on canvas, 320 x 240cm), Stockholm, Moderna Museet. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588658485013-PT3GQ2TXQT5EZF4783ZS/emelie-4.png Essays - A Retrospective View Of Abstraction, With A Spice Of The Occult Figure 4. Wassily Kandinsky, Composition VII, 1913 (oil on canvas, 300 x 200cm), Moscow, State Tretyakov Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588658264879-R7LRYS69RRZ74JVVPPTJ/Emelie-2-678x1024.png Essays - A Retrospective View Of Abstraction, With A Spice Of The Occult Figure 2. Hilma af Klint, No. 7 Adulthood, 1907 (oil on canvas, 320 x 240cm), Stockhom, Moderna Museet. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588658416599-VT35R2KYNAA2KC48GP82/Emelie-3.png Essays - A Retrospective View Of Abstraction, With A Spice Of The Occult Figure 3. Wassily Kandinsky, Picture on Light Ground, 1916 (oil on canvas, 100 x 78cm), Paris, Musée National d’Art Moderne. https://arthistorysociety.org/essays/not-one-more-acre monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588657645877-V89BGZN5GLWBZCEGD2UK/tamaki.png Essays - NOT ONE MORE ACRE! Photo Credit: Google Maps https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588657504325-6V6UJ4CRTB4AS8U2KQ5B/image.png Essays - NOT ONE MORE ACRE! Photo Credit: Erin Lee https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588657580832-Q06CEQNSR2ZE6QOMCJGU/erin-768x434.png Essays - NOT ONE MORE ACRE! Photo Credit: Erin Lee https://arthistorysociety.org/essays/abstraction-easy monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588656248581-1JEAB4AZWEVAD791YMSE/gabo.png Essays - The Descent Into Abstraction Is Easy. Figure 5. Naum Gabo, Linear Construction No. 4, 1962, (bronze and stainless steel, 127 cm), Detroit, Detroit Institute of Arts. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588657167947-8ECKRDIS9EC6YDX0NY77/kinetic.png Essays - The Descent Into Abstraction Is Easy. Figure 6. Naum Gabo, Kinetic Construction (Standing Wave), 1919-20, (metal rod vibrated by an electric motor, 61.5cm), London, Tate Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588656046159-B3ZXEWGVUZ72TYNOI4DI/mandolin.png Essays - The Descent Into Abstraction Is Easy. Figure 2. Pablo Picasso, Girl with a Mandolin (Fanny Tellier), 1910, (oil on canvas, 100.3 x 73.6cm), New York, Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588656099980-GUHW8O1FAHFM4NDTUZ9A/guitar.png Essays - The Descent Into Abstraction Is Easy. Figure 3. Pablo Picasso, Guitar, 1914, (ferrous sheet metal and wire, 77.5 x 35 x 19.3cm), New York, Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588655960375-V7Q52RCI9YB6LMLD7TBU/walking-man.png Essays - The Descent Into Abstraction Is Easy. Figure 1. Auguste Rodin, The Walking Man, circa 1877-78, (bronze, 85.1 x 59.8 x 26.5cm), Washington DC, National Gallery of Art. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588656159324-CJP5DMF6R1TO7P0YEHTS/bird.png Essays - The Descent Into Abstraction Is Easy. Figure 4. Constantin Brâncusi, Bird in Flight, 1932-40, (polished bronze, 151 cm), New York, Guggenheim. https://arthistorysociety.org/essays/mona-hatoum monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588655244388-SFBA712COYSRWLUEQ1HI/hatoum-three.jpg Essays - Mona Hatoum’s Home: A Fear Of The Everyday Figure One. View of the installation. Mona Hotoum, Home, 1999, (wooden table, 15 steel kitchen utensils, electric wire, three lightbulbs, software and audio, 600 x 350cm), London, Tate Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588655462228-XMCHIDQFY0Y7U65K4QMH/haoutm-2.jpg Essays - Mona Hatoum’s Home: A Fear Of The Everyday Figure Two. Light cast from lightbulbs underneath the kitchen equipment. Mona Hatoum, Home, 1999, (wooden table, 15 steel kitchen utensil, electric wire, three lightbulbs, software and audio, 600 x 350cm), London, Tate Gallery. https://arthistorysociety.org/essays/social-concoctions-and-educational-potential monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588583213848-KSPRBGMCLWWRG03P10H5/2-1.png Essays - Social Concoctions And Educational Potential Suzanne Lacy, video still from film ‘Youth, Cops and Videotape’, 1995. http://www.suzannelacy.com/the-oakland-projects/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588583281059-VUOY78F0JQ0FOLYVUF5I/3-1.png Essays - Social Concoctions And Educational Potential Luca Frei, installation diagram for Untitled (Tree) installation, 2004. http://lucafrei.info/untitled-tree-2004/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588584292153-RQ4RAZLMMEMKGVWRNLBS/6.png Essays - Social Concoctions And Educational Potential Luca Frei, installation photograph of Keywords, 2013. http://www.lucafrei.info/keywords-2013/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588583137524-M6KUY6IEUMYZ696724H8/1-1.png Essays - Social Concoctions And Educational Potential Luca Frei, Exhibition Design for Search for the Spirit, 2009. http://lucafrei.info/search-for-the-spirit-2009/ https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588584133401-69ZTR8KEY326JXWT4IMF/4-1.png Essays - Social Concoctions And Educational Potential Luca Frei, installation photograph of Untitled (Tree), 2009. http://www.lucafrei.info/untitled-tree-2004/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588584221800-X1URAC9NQ59XF3FPVHBM/5-1.png Essays - Social Concoctions And Educational Potential Suzanne Lacy, photograpf of public performance The Roof is on Fire, 1993-4. Oakland, California. http://www.suzannelacy.com/the-oakland-projects/. https://arthistorysociety.org/essays/the-nuances-of-artistic-self-aggrandisement monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588582269411-9YZD7KL1Q9XZNY7D25SA/louis.png Essays - The Nuances Of Artistic Self-Aggrandisement Figure Three. Bernini, Bust of Louis XIV, 1665, (marble, H: 105cm), Versailles, Musée du domaine et du château, Salon de Diane. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588582183028-YDZ8PZA9YWD3MWOR1K5L/bust-urban.png Essays - The Nuances Of Artistic Self-Aggrandisement Figure One. Bernini, Bust of Urban VIII, c.1632-33, (marble, H 83cm), Rome, Galleria Nazionale d’Arte Antica, Palazzo Barberini. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588582493740-C7QSDJPHEJDTPP5ZS808/le-brun-1024x994.png Essays - The Nuances Of Artistic Self-Aggrandisement Figure Four. Le Brun, The King Governs by Himself 1661, c.1681-84, (oil on canvas, 400 x 500cm), Versailles, Galerie des Glaces. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588582380161-H45GHZFKI48B74M5EVGP/cortona.png Essays - The Nuances Of Artistic Self-Aggrandisement Figure Two. Cortona, Triumph of Divine Providence, 1633-39, (fresco, 1400 x 2400cm), Rome, Galleria Nazionale d’Arte Antica, Palazzo Barberini. https://arthistorysociety.org/essays/andy-warhol-social-commentary-on-the-1960s monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588581627013-RQUE6X5W14BYFXSWQ7O2/figure-4-1.png Essays - Andy Warhol: Social Commentary On The 1960s Figure 4. Charles Moore, Birmingham, Alabama, 1963. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588581413779-Z96IXSENKQ14SFJLIA70/campbell.png Essays - Andy Warhol: Social Commentary On The 1960s Figure 2. Andy Warhol, Campbell’s Soup Cans, 1962, (synthetic polymer paint on canvas, 51 x 41cm), New York, Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588581315874-4CK8JO48HKBG4OJBQNCO/marilyn-696x1024.jpg Essays - Andy Warhol: Social Commentary On The 1960s Figure 1. Andy Warhol, Gold Marilyn, 1962, (silkscreen ink and synthetic polymer paint on canvas, 2.11 x 1.45m), New York, Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588581553798-DQDD2QKNE1B6YLS0M7F9/raceriot.png Essays - Andy Warhol: Social Commentary On The 1960s Figure 3. Andy Warhol, Race Riot, 1964, (acrylic and silkscreen on canvas, 150 x 170cm), New York, Gagosian Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588581675569-A51N34D63S3NK9S9GCMM/figure-5-1.png Essays - Andy Warhol: Social Commentary On The 1960s Figure 5. Charles Moore, Birmingham, Alabama, 1963 https://arthistorysociety.org/essays/history-painting monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588580087353-GIABHJ9UUI151B54XX0Z/third-may.png Essays - History Painting Plate Three. Francisco Goya, The Third of May 1808, 1814, (oil on canvas, 2.68 x 3.47m), Madrid, Museo del Prado. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588579415846-DMZMLI2CYI71NVI3TWVQ/horatii.png Essays - History Painting Plate One. Jacques-Louis David, Oath of Horatii, 1784, (oil on canvas, 3.26 x 4.2m), Paris, Louvre. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588579526705-701VOTZCUZUY49WR5NQM/general.png Essays - History Painting Plate Two. Benjamin West, The Death of General Wolfe, 1770, (oil on canvas, 1.51 x 2.13m), Ottawa, National Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588580174365-5LQO1AFLUD3PXF2K730F/chios-768x902.png Essays - History Painting Plate Four. Eugene Delacroix, Massacre at Chios, 1824, (oil on canvas, 419 x 354cm), Paris, Louvre. https://arthistorysociety.org/essays/a-study-of-sandro-botticellis-venus-and-mars monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664499989-C29Z7MEP1ZVCX50BUFA3/michelangelo-hands.png Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 6. Detail of above. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664596141-RTGJV0SL0E2VNUI425GM/primavera-1024x672.jpg Essays - A Study Of Sandro Botticelli’s Venus And Mars Fig 8. Sandro Botticelli, Primavera, c.1477-1482, (tempera on canvas, 202 x 314cm), Uffizi Gallery, Florence. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664165440-5Y54MGBMFMCNSHB1X0HC/fig-1-botticelli-768x316.png Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 1. Sandro Botticelli, Venus and Mars, 1485, (tempera and oil on panel, 69 x 173cm), National Gallery, London. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664281725-I5GBZGMCYLD6JKNA7TK0/fig-2-botticelli-300x276.png Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 2. Detail of above. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664450807-0SRTNTE3L1YUHL4TZJEA/creation-of-adam-1024x465.jpg Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 5. Michelangelo Buonarotti, The Creation of Adam, c.1508-1512, (ceiling fresco, 280 x 570cm), Sistine Chapel, Vatican City. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664547189-3CXEAOGIEMY55T6176FF/st-seb-401x1024.png Essays - A Study Of Sandro Botticelli’s Venus And Mars Fig 7. Sandro Botticelli, St. Sebastian, 1474, (tempera on panel, 65 x 41cm), Berlin, Staatliche Museen. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664714148-W5Q91BLBOOCR50GB4RSW/botticelli-2.png Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 10. Sandro Botticelli, Ideal Portrait of a Young Woman, c.1480-85, (tempera on panel, 65 x 44cm), Tokyo, Marubeni Collection. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664331449-J1XHORZ6YXT9XE3OTQZG/fig-3-wasps.png Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 3. Detail of above. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664401682-CK7VSH5E3UMSCRQ1YUGH/birth-of-venus-1024x639.jpg Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 4. Sandro Botticelli, The Birth of Venus, 1484-86, (tempera on canvas, 172 x 278cm), Uffizi Gallery, Florence. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588664637014-K7E6DQ8FFFM740DKPYVL/botticelli.jpg Essays - A Study Of Sandro Botticelli’s Venus And Mars Figure 9. Sandro Botticelli, Idealised Portrait of a Lady, c.1475, (tempera on wood, 81.8 x 54cm), Frankfurt, Stādel Museum. https://arthistorysociety.org/essays/between-the-wars-the-bauhaus-and-the-avant-garde monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588663658473-56K06FGGMPHVZ7QHFKYQ/f2-bauhaus.png Essays - Between The Wars: The Bauhaus And The Avant-Garde Figure 2. Georg Muche, Haus am Horn, 1923 (interior), Weimar, Germany. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588663830046-3KEFF55K859F0SDF2WQ1/f5-bauhaus.png Essays - Between The Wars: The Bauhaus And The Avant-Garde Figure 5. László Moholy-Nagy, Light Prop for an Electric Stage, 1929-30, (aluminium, steel, nickel-plated brass, other metals, plastic, wood and electric motor, 151.1 x 69.9 x 69.9cm), Busch-Reisinger Museum, Harvard University. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588663722492-RD0V4TU6IGJBPQ3T1ZZ4/f3-bauhaus.png Essays - Between The Wars: The Bauhaus And The Avant-Garde Figure 3. Marcel Breuer, Wassily Chair, 1925-6, (tubular steel and canvas ‘eisengarn’, 71.8 x 78.1 x 71.1cm), Museum of Modern Art, New York. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588663774397-SIYKL32HW9U2CON34K00/f4-bauhaus.png Essays - Between The Wars: The Bauhaus And The Avant-Garde Figure 4. Josef Albers, Homage to the Square: Against Deep Blue, 1955, (oil on Masonite, 61 x 61cm), Busch-Reisinger Museum, Harvard University. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588663533529-57YHJ86Z8CAPS1PNNWG1/f-1-bauhaus.png Essays - Between The Wars: The Bauhaus And The Avant-Garde Figure 1. Georg Muche, Haus am Horn, 1923 (exterior), Weimar, Germany. https://arthistorysociety.org/essays/fatality-femininity monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588662876608-D25ZO1T8EUSR55N3Z5NH/Found_rossetti.jpg Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman Figure 4. Dante Gabriel Rossetti, Found, 1854-55, 1859-81 (unfinished), Delaware Art Museum. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588662942374-XIT58IYUMRGB2B58TV0P/found-drowned.jpg Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman George Frederick Watts, Found Drowned (oil on canvas), c. 1848-50, Watts Gallery, Surrey. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588662997183-080EQT202PG4B1HFK9BM/N05877_10-541x1024.jpg Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman Edward Burne Jones, Sidonia von Bork, (watercolour and gouache on paper), 1860, Tate Collection. http://www.tate.org.uk/art/work/N05877 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588662593634-YSP6N77EWZUK8X6M6P3L/800px-Lady-Lilith-1-768x890.jpg Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman Figure 1. Dante Gabriel Rossetti, Lady Lilith (oil on canvas), 38 x 33.5 inches, 1866-68, Delaware Art Museum. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588662779331-U3VGYEYI3GTLMUI3RKQ7/on-the-brink.jpg Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman Figure 3. Alfred Elmore, On the Brink, 1856, The Fitzwilliam Museum, Cambridge. http://www.artuk.org/artworks/on-the-brink-4941 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588663062455-BUE06LWDGKNY7P1Q2BAD/helen-of-troy-500x500.png Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman Frederick Sandys, Helen of Troy, 1867, Walker Art Gallery, Liverpool. 2017 Installation View. Image Credit: The Author. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588662661783-2YTCYXA792AVT852DS8C/awakening-conscience-743x1024.jpg Essays - Fatality Of Femininity: The Femme Fatale And The Fallen Woman Figure 2. William Holman Hunt, The Awakening Conscience, 1853, Tate Britain. http://www.tate.org.uk/art/work/T02075 https://arthistorysociety.org/essays/pacific-sisters-fashion-activists-diaspora monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588569241993-12S2B4S3C7NNLIYUROTM/21c.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 6. Pacific Sisters, 21st Sentry Cyber Sister (tapa, feathers, bone, harakeke, nylon, shells, seeds, coconut shell, videotape, plastic) 1997, Te Papa Tongarewa, http://pantograph-punch.com/post/pacific-sisters. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588567412145-1JI2BFWWF93BVI4LEFPL/tua.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 2. Pacific Sisters, Kaitiaki with a K; Tāulaolevai Keeper of the water (Tuna) (video tape, shell, miscellaneous) 2018, photograph by Kate Whitley, Te Papa Tongarewa, Wellington. http://www.thecoconet.tv/coco-talanoa/blog/pacific-sisters/. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588568890558-RZ6925UAPPIYMWDH47SX/sis.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 3. Pacific Sisters, Bonnie Proctor, Point Chevalier Beach, Auckland, 1994, photograph by Vivienne Haldane. http://www.thecoconet.tv/coco-talaona/blog/pacific-sisters/ https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588394889958-VO0KO9FL5NJY4BVGI4XD/repatch.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 1. Pacific Sisters, RePATCHriation (denim, tapa, cotton) 1999-2013, photograph by Kate Whitely, 2018. Te Papa Tongarewa, Wellington. http://pantograph-punch.com/post/pacific-sisters. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588569037329-5IYJ8F588JWSYLOUIE1W/fig4.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 4. Pacific Sisters, an outfit from Motu Tangata (tapa cloth), 1996, photograph from the collection of Rosanna Raymond. http://www.thecoconet.tv/coco-talaona/blog/pacific-sisters/ https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588569129335-Z6WO8T7YS0L9B5R7PSTI/fig5.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 5. Pacific Sisters, Ina and Tuna, 1996, photograph by Sarah Hunter. From Raymond, Rosanna, “Getting Specific: Fashion Activism in Auckland during the 1990s: A Visual Essay.” In Clothing the Pacific, edited by Chloë Colchester, 193-208, Oxford. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588569317258-Q9EQKL9MWQEWUU2X0N2D/fig-7-768x441.png Essays - Pacific Sisters: Fashion Activists In The Diaspora Figure 7. Pacific Sisters, ActiVAtion of Toi Art at Te Papa Tongarewa, 2018, photograph by Kate Whitley, Te Papa Tongarewa. https://www.tepapa.govt.nz/about/news/2018-news/dramatic-performance-prime-minister-opens-toi-art. https://arthistorysociety.org/essays/the-theatricality-of-the-everyday monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588579047693-GSMT6CJMR77ZRZ50LEZN/fig-12.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 12. Thomas Struth, Hermitage I, St Petersburg, 2005, (chromogenic print mounted on acrylic, 114 x 144.9cm), courtesy of Thomas Struth Studio. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578173359-33XWBRZYCVC2Z2Y2I8LI/T12219_9.jpg Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 2. Jeff Wall, A View from an Apartment, 2004-5, (cibachrome transparency on light box, 167 x 244cm), London, Tate. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578374074-K1BUVTQMYC2U9ZLVL6LQ/fig-4.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 4. Jeff Wall, Movie Audience (detail), 1979, (cibachrome transparency on lightbox, 159 x 234cm), courtesy of Jeff Wall Studio. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578795987-Z600MMNR23ZF7MT4J24P/fig9.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 9. Thomas Struth, Audience 7, Florence 2004, 2004, (chromogenic print mounted on acrylic, 179.5 x 289.5cm), courtesy of Thomas Struth Studio. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578724737-RN461T7F97LYGWP2TXOI/fig8.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 8. Thomas Struth, Audience 3, Florence 2004, 2004, (chromogenic print mounted on acrylic, 179.5 x 289.5cm), courtesy of Thomas Struth Studio. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578556273-NFUQYJ7IICZMIPYI5XPX/large+%281%29.jpg Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 6. Jeff Wall, Picture for Women, 1979, (cibachrome transparency on light box, 204.5 x 142.5cm), Paris, Centre Georges Pompidou. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578458115-4YI36C7DXBVC14BMK29O/fig5.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 5. Diego Velázquez, Las Meninas, 1656, (oil on canvas, 318 x 276cm), Madrid, Museo del Prado. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578645218-16L6VFU836N60VJAEQ5S/fig7.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 7. Édouard Manet, Un Bar aux Folies Bergére, 1882 (oil on canvas, 96 x 130cm), London, Courtauld Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578980307-UNOIBZJO9BU4RTF6YMV4/76a5fafd93f99f6c7424393633cf71cf.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 11. Jeff Wall, A Ventriloquist at a birthday party in October 1947, 1990, (cibachrome transparency on light box, 229 x 353cm), London, Tate. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588577714045-7077JXGXTDHUA823J71H/fig-1.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure One. Jean-Baptiste Siméon Chardin, The Draughtsman, 1737, (oil on canvas, 81 x 64cm), Berlin, Staatliche Museen. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578291077-7XEV7I7Q9CHWAO0VJJPQ/large.jpg Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 3. Thomas Struth, Art Institute of Chicago II, Chicago, 1990, (chromogenic print mounted on acrylic, 184.1 x 219cm), Chicago, Art Institute of Chicago. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588578866723-9VELX2YMNNRWXHB7Y243/fig10.png Essays - The Theatricality Of The Everyday: A Question Of Absorption In Contemporary Photography Figure 10. Jeff Wall, Untangling, 1994, (cibachrome transparency on light box, 207.1 x 241cm), Melbourne, National Gallery of Victoria. https://arthistorysociety.org/essays/contemporary-art-and-the-archive monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588753118782-KKSVMRADLZPYG7674A6M/Screenshot+2020-05-06+at+20.17.59.png Essays - Contemporary Art and the Archive Figure 4. Fred Wilson, Mining the Museum (Metalwork 1793-1880) 1993 (Slave shackles with silver pieces) previously of the Maryland Historical Society. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588752849266-CX0EDCHU7FCTF81RKL59/Screenshot+2020-05-06+at+20.13.42.png Essays - Contemporary Art and the Archive Figure 1. Fred Wilson, Love and Loss in the Milky Way, 2005 (table with forty-seven milk glass elements, plaster bust, plaster head, standing woman, ceramic cookie jar, 77 ¾ x 92 x 43 ⅞ inches) previously of Hammer Museum. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588753187469-3DDHKMSD75QJVNABMUG3/Screenshot+2020-05-06+at+20.19.30.png Essays - Contemporary Art and the Archive Figure 5. Ingrid Berthon-Moine, Marbles, 2013 (12 colour photographs, 60 x 60cm) https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588752980021-FSEARE8A190GVDFGB5GF/Screenshot+2020-05-06+at+20.15.14.png Essays - Contemporary Art and the Archive Figure 2. Ingrid Berthon-Moine, Red is the Colour, 2009 (12 colour photographs, 24 x 30 cm) https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588753043170-TMQC558C2PN8AT48FXML/Screenshot+2020-05-06+at+20.17.03.png Essays - Contemporary Art and the Archive Figure 3. Fred Wilson, Mining the Museum (Baby Carriage and Hood) 1993 (Baby carriage and Ku Klux Klan Hood) previously of the Maryland Historical Society. https://arthistorysociety.org/essays/looking-at-frances-hodgkins monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588573863804-3PLDNBW149LGADAU31DN/frances-2.png Essays - Looking At Frances Hodgkins Figure Two. Frances Hodgkins, Belgian Refugees, 1916, (oil on canvas, 875 x 950mm), Christchurch Art Gallery Te Puna o Waiwhetū. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588574081792-DC5N2LSVQTKQUK5INLT3/frances-4.png Essays - Looking At Frances Hodgkins Figure Four. Frances Hodgkins, Self Portrait: Still Life, c.1935, (oil on cardboard, 762 x 635mm), Auckland Art Gallery Toi o Tāmaki. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588573773043-99NDGHSTN26TBNOPWJCV/frances-1.png Essays - Looking At Frances Hodgkins Figure One. Frances Hodgkins, Summer, 1912, (watercolour and charcoal, 586 x 498mm), Dunedin Public Art Gallery. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588573952893-MUX5Z045VP23KKNVBIQN/frances-3.png Essays - Looking At Frances Hodgkins Figure Three. Frances Hodgkins, Lancashire Children, 1927, (oil on canvas, 740 x 610mm), Whitford and Hughes Gallery, London. https://arthistorysociety.org/essays/titians-assumption-of-the-virgin-piety-in-renaissance-italy monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588572658928-Q3E6HW4TLYJS3QTZBQ8D/300px-Tizian_041.jpg Essays - Titian’s Assumption Of The Virgin: Piety In Renaissance Italy Figure 1. Titian, Assumption of the Virgin, 1518, (oil in wood, 6.9m x 3.6m), Venice, Santa Maria Gloriosa dei Frari. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588572951505-KXPT8PXR58R3C4JYG20V/vecchio.png Essays - Titian’s Assumption Of The Virgin: Piety In Renaissance Italy Figure 2. Jacopo Palma il Vecchio, Assumption of the Virgin, 1514, (Oil on Panel, 191 x 137cm), Venice, Galleria dell’Accademia. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588573008099-8UXN580F98JED8VRIYIP/rubens.jpg Essays - Titian’s Assumption Of The Virgin: Piety In Renaissance Italy Figure 3. Peter Paul Rubens, Assumption of the Virgin Mary, 1626 (Oil on Panel, 490 x 325cm), Antwerp, Cathedral of Our Lady. https://arthistorysociety.org/essays/negotiating-death monthly 0.5 2020-05-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588666558949-SHCOIS6FLS3F9O0E09UR/large.jpg Essays - Negotiating Death: Problems with depicting the corpse in contemporary art.  Figure 1: Andres Serrano. The Morgue (Rat Poison Suicide), 1992 (cibachrome, 49 1⁄2 x 60, Edition of 3; 32 1⁄2 x 40, Edition of 7), collection Stephen & Elizabeth Sobel, New York. Image by Andres Serrano: http://andresserrano.org/series/the-morgue https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588666665193-QD1KOFS45L3RK52Z0ZMH/large+%281%29.jpg Essays - Negotiating Death: Problems with depicting the corpse in contemporary art.  Figure 2: Andres Serrano. The Morgue (Burnt to Death), 1992, (Cibachrome, 49 1⁄2 x 60, Edition of 3; 32 1⁄2 x 40, Edition of 7), private owner. Image by Andres Serrano: http://andresserrano.org/series/the-morgue https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588666773526-99VE8I8WBE36186VLZVZ/Picture+1.png Essays - Negotiating Death: Problems with depicting the corpse in contemporary art.  Figure 3: Teresa Margolles. Lengua [Tongue], 2000, (object, dimensions unknown), courtesy of Teresa Margolles & Galerie Peter Kilchmann, Zurich. Black & white reproduction from: Banwell, Julia. Teresa Margolles and the Aesthetics of Death. Cardiff: University of Wales Press, 2015. 93. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1588666989650-7OKQQFPBAXC1HDPO92IE/Screenshot%2B2020-05-05%2Bat%2B20.21.15.jpg Essays - Negotiating Death: Problems with depicting the corpse in contemporary art.  Figure 4: Teresa Margolles. 127 Cuerpos [127 Bodies], 2006, (Installation made of thread, approx. 35.5 meters), courtesy of Teresa Margolles & Galerie Peter Kilchmann, Zurich. Photograph: Achim Kukulies. Black & white reproduction from: Banwell, Julia. Teresa Margolles and the Aesthetics of Death. Cardiff: University of Wales Press, 2015. 92. https://arthistorysociety.org/essays/category/Reviews monthly 0.5 https://arthistorysociety.org/essays/category/Fashion monthly 0.5 https://arthistorysociety.org/essays/category/Featured monthly 0.5 https://arthistorysociety.org/essays/category/Post-graduate monthly 0.5 https://arthistorysociety.org/essays/category/Resources monthly 0.5 https://arthistorysociety.org/essays/category/Essays monthly 0.5 https://arthistorysociety.org/essays/tag/M%C4%81ori monthly 0.5 https://arthistorysociety.org/essays/tag/USA monthly 0.5 https://arthistorysociety.org/essays/tag/Fashion monthly 0.5 https://arthistorysociety.org/essays/tag/Museums monthly 0.5 https://arthistorysociety.org/essays/tag/NZ monthly 0.5 https://arthistorysociety.org/essays/tag/Art+Crime monthly 0.5 https://arthistorysociety.org/essays/tag/Pasifika monthly 0.5 https://arthistorysociety.org/essays/tag/Painting monthly 0.5 https://arthistorysociety.org/essays/tag/India monthly 0.5 https://arthistorysociety.org/essays/tag/Renaissance monthly 0.5 https://arthistorysociety.org/essays/tag/Photography monthly 0.5 https://arthistorysociety.org/essays/tag/Surrealism monthly 0.5 https://arthistorysociety.org/essays/tag/Design monthly 0.5 https://arthistorysociety.org/essays/tag/New+Zealand monthly 0.5 https://arthistorysociety.org/essays/tag/Contemporary+Art monthly 0.5 https://arthistorysociety.org/essays/tag/Feminism monthly 0.5 https://arthistorysociety.org/essays/tag/Italy monthly 0.5 https://arthistorysociety.org/essays/tag/Female+Artist monthly 0.5 https://arthistorysociety.org/essays/tag/Pop-Art monthly 0.5 https://arthistorysociety.org/essays/tag/Modernism monthly 0.5 https://arthistorysociety.org/essays/tag/Baroque monthly 0.5 https://arthistorysociety.org/essays/tag/Native+American monthly 0.5 https://arthistorysociety.org/contact-2 daily 0.75 2022-05-10 https://arthistorysociety.org/black-lives-matter-resources daily 0.75 2021-02-22 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591575827050-JOHO47IBFYACY5L1XXBE/us+racism+problem.jpg Black Lives Matter Resources The US has a big racism problem and the art world is not helping: The Art Newspaper. Image source: The Art Newspaper. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591582099728-IVYSGGB48R2U9Z4J9SH3/greg2.jpg Black Lives Matter Resources Interview - Lorna Simpson: The Guardian. Image source: The Guardian. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591576072416-RLS4P5N5LCUFZ1OZHC2K/toppled+monuments.jpg Black Lives Matter Resources Monuments across the US are toppled, damaged as protests over George Floyd's death continue: The Art Newspaper. Image source: The Art Newspaper. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591646352044-RQ2IT7S051KL3ZNILBEZ/Screen+Shot+2020-06-09+at+7.58.45+AM.png Black Lives Matter Resources Black Lives Matter: How you can support the movement from New Zealand: Stuff. Image source: Stuff https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591576804621-LIH6K15QDGVY7YDL6VTN/mike+c.jpg Black Lives Matter Resources Mike Cloud invents a new kind of portrait painting: ARTnews. Image source: ARTnews. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591645574551-E34RA091UGZOIJRY0GLB/Screen+Shot+2020-06-09+at+7.45.48+AM.png Black Lives Matter Resources Moana Jackson: Understanding racism in this country: e-tangata. Image source: e-tangata. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591577044185-G2XYHQQ23QFYW1CNCNVX/appropriation.jpg Black Lives Matter Resources Black Bodies, White Cubes: The Problem with Contemporary Art's Appropriation of Race: ARTnews. Image source: ARTnews. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591582144701-3VQY887ACCACVXS1EBZT/greg1.jpg Black Lives Matter Resources Renée Cox: A Taste of Power: Aperture.org. Image source: Aperture.org https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591577621926-RBH9NLYO62VX0FYZVA5W/artsy.jpg Black Lives Matter Resources The art world's engagement with #BlackoutTuesday came under fire from critics and activists: Artsy. Image source: Artsy. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591582642989-K201MIHPMV33MUJL9S2C/harpersb.jpg Black Lives Matter Resources Understanding white privilege: 20 everyday examples: Harpers Bazaar. Image source: Harpers Bazaar. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591577731780-ZZAYRS52QGYCEWVIG8A0/artsy1.jpg Black Lives Matter Resources The National Museum of African American History and Culture launched a portal to facilitate conversations about race: Artsy. Image source: Artsy. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591582817053-BX0K1EVV4FE94AYS7JL6/Screen+Shot+2020-06-08+at+2.19.53+PM.png Black Lives Matter Resources 21 Essential Anti-Racist Books to Unpack Your White Privilege: The Helm Co. Image source: The Helm Co. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591645356856-D2D9YOWPMTQW9G92OEY7/Screen+Shot+2020-06-09+at+7.41.25+AM.png Black Lives Matter Resources Major U.S. Museums Criticized for Responses to Ongoing George Floyd Protests: Artnews. Image source: Artnews. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591645789301-J7LSWG7HO0B4I21F3931/Screen+Shot+2020-06-09+at+7.49.31+AM.png Black Lives Matter Resources Confederate Monuments Are Coming Down Across the United States. Here’s a List: NY Times. Image source: NY Times. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591653461444-26OGRXMGOTV323ZVTNQU/GettyImages-523358452-e1590965862585.jpg Black Lives Matter Resources The Tailwind of Privilege, by Mary Breheny. Image source: Getty https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591653603362-P02BU47886QCXAUO2KSQ/11-850x510.jpg Black Lives Matter Resources The whakapapa of police violence, by Emelie Rākete. Image source: Jihee Junn for Spinoff https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591655617733-N0816K9Z1ALCRX6PM8F5/police-brutality-black-women-girls.jpg Black Lives Matter Resources Why Are Black Women and Girls Still an Afterthought in Our Outrage Over Police Violence? By Brittney Cooper. Image source: Brandon Scott https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1591655764467-F95HXJPSPAU0WNJFGCE3/download.jpeg Black Lives Matter Resources Rediscovering the Black Muses Erased from Art History, by Tess Thackera. Image: Frédéric Bazille, Young Woman with Peonies, 1870. Courtesy of the National Gallery of Art, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1597794947829-D6MSOOYOZY1KBPI9PAES/slate.jpeg Black Lives Matter Resources Museums Have a Docent Problem – Inside the struggle to train a mostly white, unpaid tour guide corps to talk about race. Image source: John Kennard. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Slate.com https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1600920224988-4L4Q1MLV0I4A4R3PX1N3/anne-salmond-at-waikereru-1.jpg Black Lives Matter Resources A whakapapa approach to history. By Kennedy Warne with Dame Anne Salmond. Image source: E-Tangata https://arthistorysociety.org/about-art-history-society daily 0.75 2025-04-16 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/19680099-7999-4c8b-8493-a6061dd45567/png-clipart-creation-of-adam-painting-the-creation-of-adam-sistine-chapel-ceiling-renaissance-painting-hand-arm+2+copy.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/3d9933ff-08a2-4747-aafa-41b810ab9599/Untitled+copy.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1612476743612-PFNFNBG2SZK2Q17S6T73/symposium.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/d8c2d7ac-3b8c-448a-aef3-dad8d6aa05e3/manny.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1a48460a-6817-4800-a0fc-283eda8f6924/isha.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/9224333b-477a-4de6-8870-3b4d43ea33eb/beth.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/aa3204a4-5f5c-4549-8ea4-49ba58dfbe96/lily.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/39064ec7-3569-4440-8221-62ffb175dedb/bella.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/097583fd-7ac8-4bbd-b8b8-24f158093cc7/sybs.JPG About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/6a2cf2d4-143f-4087-a7ea-fdc3aea75a65/IMG_1403.jpg About https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/5ca94b16-4b26-4ee4-82c8-96bfb409814d/41.jpg About https://arthistorysociety.org/home1 daily 1.0 2025-03-02 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/f3f96493-84ba-4af9-8032-e4cbad3338d1/ritterschoolclasstyrol.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/66f08c5c-d62e-44c3-9b5c-c6f2384666bb/martineaukitsfirstlesson.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/03dd1d6c-de9d-45a7-bc59-f3ca71270787/women-talking-around-table_1_3aadcb12d57e3e6fc09354e2269b5d13.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/91ee9d46-631d-4675-b3ce-a89b3f15e452/100+F+V+Ellis+The+Clock+Tower+Building+24110027.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/6623685c-7681-43c9-926a-3ff14ef4d1a2/png-clipart-creation-of-adam-painting-the-creation-of-adam-sistine-chapel-ceiling-renaissance-painting-hand-arm+2+copy.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/03762dbd-1b5a-4151-b0fa-2e474c0f46a4/Untitled+copy.png https://arthistorysociety.org/resources-1 daily 0.75 2024-03-14 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/dcf66380-b54d-4b3c-91ee-0f7280b87490/Screenshot+2023-04-18+at+7.03.57+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/bed1672b-c8eb-452d-9182-88b402c43f29/large.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/2ec0db98-e0b3-4a2e-a771-eb69b38a544e/classroom-teacher-and-her-students-carlin-blahnik-carlinartwatercolor.jpg https://arthistorysociety.org/high-school-students daily 0.75 2023-05-16 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/87c4171c-8880-4225-b2a0-b1d3de96e51f/Screenshot+2023-05-04+at+8.11.21+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/ae401bae-2f1b-44d0-a64d-1b8801b1535e/vir-heroicus-sublimis-barnett-newman.jpeg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/df4eafb1-47f5-45fb-b858-2bcb7b4c9d2b/Screenshot+2023-05-04+at+8.17.13+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/78164ef5-a4fc-4ae5-bc8b-c3c5e2d5c172/Screenshot+2023-05-04+at+4.58.10+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/9332ade6-749c-4a14-a02a-935a452bbca2/IMG_0693.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/0f9e213f-7625-4dc7-b2c6-8ef04948e88d/334917462_448055677503976_8055547576533301849_n.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/8b2a496e-2187-4f27-81ca-bc49a5a18fe7/340849195_645459827439282_8191512619117030520_n.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/e7d2a849-8c03-401a-9b7b-5fe97747aa27/ddd093a42310888e4c2681fe82b0c154_i.jpg https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/4b15d181-f955-4995-8d87-d75d8e1a5e88/Screenshot+2023-05-04+at+5.58.24+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/bd922487-fa9e-4e91-b42e-57b2a58515b0/Screenshot+2023-05-04+at+6.00.52+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/ed25a5bd-d563-4d8d-b36d-ca1cd38bd813/Screenshot+2023-05-04+at+6.03.48+PM.png https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/d310e997-1965-497b-b0aa-ee82979bf747/Edouard_Manet_049.jpg High School Students Michèle Whitecliffe Art Writing Prize - 16+. This Prize’s aim is to draw out new critical voices that will help refresh and strengthen discussions about New Zealand art of the present and past. Each year contestants are asked to write a 1,500-3,500 word essay on a theme, where then an independent judge selects the winner and two runners up. The winner will receive $2,500 and have their text published in the November issue of Art Toi, and the runners up see their texts published on the Articles page of the Gallery website.' We recomend this oppportunity for: Individuals who are wanting to grow their art writing skills, and are keen for the opportunity to be officially published https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/1915596f-1fe1-448f-9151-1773212aaeab/Screenshot+2023-05-04+at+3.50.55+PM.png High School Students Waikato Society of Arts - National Youth Art Awards. This compeition is open for 13 to 25 year olds, all mediums are encouraged to enter across three age categories. There are also a varity of monetary prizes on offer, alongside the potential for your artwork to be exhibited in a gallery! We recomend this opportunity for: Individuals who pride themselves in their art, and wish to have the opportunity to be exhibited and acknowledged. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/c7af4758-6557-46c6-9b2a-9676f763f340/blog-ymi-whats-big-1jpg.jpg High School Students Auckland Art Gallery Youth Media Internship. During each Youth Media Internship at the Gallery, twelve young people from across Auckland and aged between 16–18 work in groups to ask a question and create a three-minute film about the Gallery. It develops interpersonal and creative thinking skills in a professional environment, and allows participants to meet new people, make friends and have fun! We recomend this opporunity for: Individuals who want to enjoy engaging in project-based learning, want a behind the scenes at Auckland Art Gallery, and gain early experience within the GLAM sector. https://arthistorysociety.org/media-and-gift-guides daily 0.75 2023-04-20 https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/af30807a-b4b6-451b-8367-55e1b2bead4e/anselm-feuerbach-lucrezia-borgia-portrait-roman-woman-white-1150--thumb-xl.jpg Media and Gift Guides Charlotte Penman Jewellry - for the those who appreciate ancient and historical inspired jewellry. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/13a4d2b9-ccf1-47f4-a118-80151580e9b3/Screenshot+2023-04-20+at+6.11.36+PM.png Media and Gift Guides https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/52f63278-e939-4073-9e1e-37161df69d78/El_archiduque_Leopoldo_Guillermo_en_su_galer%C3%ADa_de_pinturas_en_Bruselas_%28David_Teniers_II%29.jpg Media and Gift Guides All Poster - for those who want to make their walls look like a wing of the Louvre. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/db7f4e4a-cd5b-475c-83e8-a6b16dfeb37c/young_girl_reading_1961.16.1.jpg Media and Gift Guides Unity Books - for those who want to grow their library. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/03aedebf-2e7a-42a5-9219-ad3019ef6b60/596c0d0810bd02a9f784799dbf7ea863.png Media and Gift Guides Glamour and Honey - For those who are 'actual Art Historians'. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/258252c1-1969-4143-bdd2-96c783f9f4d0/a953f2a5dffc8f21a55c5300f2504707.jpg Media and Gift Guides Kuurth Wearable Art - for those who want contemporary and understated art-inspired jewellry. https://images.squarespace-cdn.com/content/v1/5eaceb4c34f5b419dbd82261/f1c7a421-82eb-4db9-805a-86669e746e0f/MV5BMTU3NjE2NjgwN15BMl5BanBnXkFtZTgwNDYzMzEwMzI%40._V1_.jpg Media and Gift Guides 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